I’m seriously conflicted about this book. It felt like an emotional rollercoaster, where one moment I’m swooning from a heart-wrenching romantic scene, and the next moment I’m wincing from a graphic description of horrific abuse. What do I know for sure? That Little Fire is an adult, High Fantasy Romance novel with impressive world-building and a compelling romance. What am I not so sure about? How this book will land for others, or frankly, how it landed for me. I struggled with some of the triggering content and found the plot evolution, especially the end, disjoint and jarring. This review will simply outline my experience; it’s up to you to decide if this might be for you. Please note that this review contains references to content that may be triggering for some readers, most notably rape, child abuse, and human trafficking. All opinions are my own.

RELEASE DATE: 23/10/2021

STAR RATING: 3/5 ✶

SUMMARY:

Declan can kill with a blink of his eye. Jaded and cold, he rules his kingdom the same way he does his heart—with merciless pragmatism. So why does he risk all to protect a little mortal during a slave-trade uprising? Now stuck in the Shadow Realm, the loss of his powers are the least of his troubles. The woman may have a frustratingly tender heart, but she has enough fire in her soul to thaw the ice in his veins.

He could take her by right, but he wants more than acceptance. He wants her willing surrender…

Evangeline is chained by a past she can’t remember. Her fractured memories keep her shy and single. When she is thrust into a demon realm in the arms of an indomitable archmage, he becomes her only chance of survival. But soon, she realizes her unnerving protector may not be as callous as he appears, and her heart may be as much at risk as her life.

His desire for her is no secret, but she wants more than scalding lust. She wants his icy heart…

Can they survive the Shadow Realm long enough to break down each other’s walls?

OPINIONS:

There were two stand-out elements of this book: the world-building and the romance. The world consists of five realms each ruled and shaped by a different god and filled with fantastical beings and magic specific to that realm, and travel between the realms can only be accomplished through portals opened by the Fae. The realm in which our story begins is the home of the humans and mages, human-like beings with elemental and psychic powers, the most powerful of which are the archmages that rule with an iron fist.

The concept of the realms is introduced right off the bat with a poem, which I thought was a clever way of laying the groundwork for the world-building. Details of the world and magic were slowly introduced over the course of the book without info-dumping, which I appreciated. With the detailed descriptions of monsters and the abilities of the mages, it walks the line between soft and hard magic – in fact, I think it wants to have a harder magic system than it actually does – and this is not necessarily a bad thing. I sometimes like a harder magic system. But the problem was that it felt secondary despite being so well fleshed out. There was so much emphasis on the trauma and slavery (more on that later) that the detailed world-building felt tacked on, almost as if it was a separate entity within the story. The culmination of the plot takes place when the FMC and MMC are thrust into the realm of the Unseelie for the final battle, and suddenly – jarringly, in fact – that world-building comes to the forefront of the plot. It felt disjoint, and I found myself wishing for greater continuity.

I really enjoyed the romance between Declan and Evangeline. It developed slowly and organically, stemming from a tenderness between the two characters (as opposed to lust) as they care for one another during their exile in the demon realm. He is respectful of her trauma, never pushing himself on her, and genuinely just wants to be in her presence. They don’t become intimate until she asks for them to be, and the respsect and consent is incredibly sexy, especially given the context of both of their past struggles. The archmage is incredibly powerful, yet tempers his authoritarian ways to properly “court” Evangeline (the flower scene turned me to mush!) realizing that what he really wants is her willing participation. The relationship reveal at the end was a bit contrived and, I’ll admit, predictable, but nevertheless satisfying and filled with genuine emotion.

Now for the difficult part. This book is heavy into rape trauma, child abuse, and human trafficking. A large portion of this book revolves around dealing with the aftermath of rape (both from the perspective of the survivor and a resulting child) and physical abuse of children. Central to the plot is the trafficking of humans to be sold as slaves by the Unseelie to other realms and the sexual and physical abuses done to those slaves by members of the cartel and their owners. If these themes are triggering, or if you don’t have a stomach for explicit content describing such atrocities, this book probably isn’t for you.

Declan and Evangeline spend significant page-time coming to terms with their own trauma, dismantling the human trafficking cartel, and tending to the abused victims that they save. Their emotional scars – as well as the physical and emotional scars of the victims they save – are present, deep, and not glossed over. All that to say, these difficult themes are not employed gratuitously, but tackled head-on and given careful treatment throughout the book.

The writing was solid, and in some places I found it quite pleasurable, but there were times I found the language and word choice a bit forced. An inconsequential quibble in the grand scheme of things.

Will I read on in this series? Honestly? The jury is still out…

This book is beautiful. I know, I know – what a generic word – such a trite description. But, honestly? When I finished this book, and when I reflect on its themes, its tone, and the impressions it left upon me as a reader, its the word I keep coming back to. Star Mother is truly and simply a beautiful book. It is a compelling piece of feminist fiction on par with Circe by Madeline Miller both in terms of style and message, deeply exploring themes of love, motherhood, and devotion amid world-building that develops and reveals itself through an enigmatic plot. Highly recommend. I received an ARC of this book from the publisher. All opinions are my own.

RELEASE DATE: 01/11/2021

STAR RATING: 4/5 ✶

SUMMARY:

When a star dies, a new one must be born.

The Sun God chooses the village of Endwever to provide a mortal womb. The birthing of a star is always fatal for the mother, and Ceris Wenden, who considers herself an outsider, sacrifices herself to secure her family’s honor and take control of her legacy. But after her star child is born, Ceris does what no other star mother has: she survives. When Ceris returns to Endwever, however, it’s not nine months later—it’s seven hundred years later. Inexplicably displaced in time, Ceris is determined to seek out her descendants.

Being a woman traveling alone brings its own challenges, until Ceris encounters a mysterious—and desperate—godling. Ristriel is incorporeal, a fugitive, a trickster, and the only being who can guide Ceris safely to her destination. Now, as Ceris traverses realms both mortal and beyond, her journey truly begins.

Together, pursued across the Earth and trespassing the heavens, Ceris and Ristriel are on a path to illuminate the mysteries that bind them and discover the secrets of the celestial world. 

OPINIONS:

Star Mother is a book about devotion; Ceris Wenden’s is a journey of continual self-sacrifice due to her unflappable devotion to self, community, and search for true love. This book asks the question: what are you willing to endure for integrity? And the example of endurance provided by the main character is quite powerful.

Ceris is devoted to herself, unwilling to compromise her personality or her desires, and yearning to be appreciated for living her life authentically. She is devoted to her community, sacrificing her body and future to the Sun in order to preserve her town and the true love that exists between her betrothed and his lover. She is devoted to her family, desperate to fulfill her role as a mother and fighting for a connection with her star as well as her family’s descendents, even after losing 700 years. And once she unexpectedly discovers true love in Ristriel, she is willing to endure whatever it takes, including 350 years of separation, to finally experience a life filled with the unconditional love and acceptance she’s searched for her entire life.

These themes of devotion and self-sacrifice, and the exploration of true love in all its forms, are set against a backdrop of well-executed, Fantasy world-building and plot. Holmberg has crafted a creative and unique world in which celestial objects are in fact deities that wield immeasurable power, and yet are still bound to the laws of the universe, providing rich fodder for moral dilemmas. The mystery behind the war between the Sun and the Moon as well as the impact of the war on both Ceris and the people of Mother Earth drives a plot that, while deliberate in its build-up, is well-paced once the foundation has been laid.

There were times I found the writing a tad overwrought and repetitive, but overall I felt that the prose helped deliver a tone that meshed well with the themes and enhanced their poignancy. For Romance readers, there is a love triangle, which did strain the HEA, but I would still solidly classify this as Fantasy-Romance. The HEA was also bit rushed for my taste, especially since it was so hard won; I would have liked to see a more developed and fleshed out ending, but it was satisfying nonetheless. These are but minor quibbles in a book that was well executed and quite beautiful.

I was delighted to see that there will be a sequel to Star Mother, especially after reading the synopsis. I think this second book will be a perfect conclusion to this tale and provide additional satisfaction to the HEA. I am genuinely looking forward to reading it!

If you’ve followed me for any length of time, you know that books by neurodivergent authors, and especially ones featuring neurodivergent characters are very dear to my heart. So I was thrilled when I was offered a copy of Frankie’s World by Aoife Dooley for review – this middle grade graphic novel features an autistic main character who is trying to figure out why she isn’t quite like the other kids in her class, all the while trying to track down her dad with her friends.

Many thanks to Scholastic for sending me a review copy, all opinions are my own.

RELEASE DATE: 06/01/2022

STAR RATING: 4/5 ✶

SUMMARY: Twelve-year-old Frankie knows she’s not like anyone else in her class: she’s different, but she can’t quite figure out why. Is it the new freckle on her nose, or the fact she’s small for her age? Or that she has to go to the hospital sometimes? Everyone else seems to think she’s weird too, and they make fun of her at school. Frankie’s dad left when she was a baby – maybe he was different too? It would explain why she always feels like an alien. So she and her best friend, Sam, embark on a mission to track him down. (from Scholastic)

OPINIONS: Frankie’s World is a delightful middle grade graphic novel about the titular character’s journey of self-discovery and self-acceptance in two-tone shades of orange and blue. It is the sort of book I would recommend both to children struggling with fitting in, with finding their place in the world, but also to those who do tend to fit into the mold of social acceptance, who could perhaps do with a bit of understanding for those who don’t. Aoife Dooley tells Frankie’s story with compassion, influenced by her own experiences of growing up autistic and not knowing it until adulthood.

But this is also a story of family and of friendship. A central theme is that Frankie has never met her dad – while she has a wonderful stepfather, she is of course morbidly curious about her ‘real’ dad (who she suspects may be an alien, as he must be odd to have fathered her). With her best friend, Sam, and her new friend Rebecca, Frankie goes on a hunt – and does eventually track him down, to get some unexpected answers. The friendships between Frankie, Sam and Rebecca are lovely to see, and while all three girls are disabled in different ways, the story doesn’t show them to be limited in what they can achieve or want, which I really appreciated. Frankie’s World is just a really uplifting story about the value of acceptance, family and friendship, and one that I think is valuable for so many young readers.

I think having it in graphic novel format is particularly effective as it makes the story even more approachable for children who may be reluctant readers, who may struggle with focus (which is an issue for some neurodivergent children especially) or just appreciate the added visual element. All in all, this is a fabulous book that I highly recommend to anyone, and hope many families, libraries and schools pick up a copy as soon as it is out.

Add Frankie’s World to your Goodreads here, and pre-order a copy via Bookshop here (affiliate link).

I was a massive fan of Gabriela Houston’s adult debut, The Second Bell, which was released earlier in 2021, so of course I could not resist the opportunity to review her children’s debut, The Wind Child as well. And damn, this is a great book. When I started it, I was just going to read a couple of chapters as a taster, but I raced through it, blundering my way through the London Tube system, kindle in hand, non-stop reading. Get on the Gabriela Houston train, friends. And if you have kids distracting you from reading, either get this one to share with them, or to distract them while you go off to read The Second Bell, whichever option you prefer.

Many thanks to UCLan Publishing for sending me an eARC via NetGalley, all opinions are my own.

RELEASE DATE: 03/02/2022

STAR RATING: 5/5 ✶

SUMMARY: No human has ever returned from Navia, the Slavic afterlife. But twelve-year-old Mara is not entirely human. She is the granddaughter of Stribog, the god of winter winds and she’s determined to bring her beloved father back from the dead. Though powerless, Mara and her best friend Torniv, the bear-shifter, set out on an epic journey to defy the gods and rescue her father. On their epic journey they will bargain with forest lords, free goddesses from enchantments, sail the stormy seas in a ship made of gold and dodge the cooking pot of the villainous Baba Latingorka. Little do the intrepid duo know of the terrible forces they have set in motion, for the world is full of darkness and Mara will have to rely on her wits to survive. (from UCLan Publishing)

OPINIONS: This is such an entirely wonderful book. Not only is it an immersive story full of great characters, but I learned a lot about Slavic mythology along the way – and I love learning new things. This is a rather short middle grade fantasy adventure, which makes it perfect for young readers, and especially reluctant readers as well. It is addictive – I got stuck into it so much that I could not stop reading until I was done, which for me, is one of the crucial elements of a great children’s book. I found this to be an uncontested five star read – the only thing I could imagine being improved about it is to add some interior illustrations, which is more of a publishing thing rather than a criticism of the book itself, added value, not something that detracts from it now.

One of the things I loved most about The Wind Child is the emotional impact the story had on me. Mara sets out on this grand adventure to try and achieve the impossible, to try and get her recently deceased father back from the afterlife. The ending of the story is both heartbreaking and heartwarming and is the best possible way the book could have resolved. It had me crying in the best possible way (though that may have been connected to reading a dead parent book around the ten year anniversary of my mum’s passing as well, making me more emotionally susceptible to the topic).

Mara and her friend Torniv are fantastic characters. They are not all-powerful, but they are stubborn and they don’t accept no for an answer, and they are determined to succeed. It was a joy to follow them on part of their story, and I wish that we got to spend more time with them. I loved The Wind Child just as much as Gabriela’s adult debut, The Second Bell, and if you have a child in your life, I highly recommend you get them a copy, and either read it with them, or let them read it while you read Gabriela’s other book. She truly is a writer to look out for, and one that I think will go far.

Add The Wind Child to your Goodreads here, and pre-order a copy via Bookshop here (affiliate link).

There’s something to be said about a book that truly surprises its readers with an unexpected message. Dark Wizard by Jeffe Kennedy certainly falls into that category. I went into this book assuming classic Fantasy-Romance content, and while the book certainly delivered on genre expectations, it genuinely surprised me with how it tied romance into its unique world-building and magic system and used it as a social commentary on slavery and self-worth. Thought-provoking and sometimes necessarily uncomfortable in its message, Dark Wizard is the first book in Kennedy’s Bonds of Magic series. All opinions are my own.

RELEASE DATE: 25/02/2021

STAR RATING: 4/5 ✶

SUMMARY:

Lord Gabriel Phel wants one thing: to restore his shattered House to its former station in the Convocation’s complex and arcane society. Fortunately, through a wild chance of birth, he was born with the magic of a powerful wizard, the first in his family in generations. If he can obtain a familiar to supplement his skills, ideally one who is a highborn daughter who can also be his lady wife, then he’ll be that much closer to restoring House Phel. And to exacting his ultimate revenge on the Convocation that destroyed his family.

Lady Veronica Elal doesn’t have many choices. To her bitter disappointment, she will never be the powerful wizard she and her father hoped she’d be. Instead Nic is doomed to be a familiar like her mother, a second-class citizen in the Convocation, and one destined to be bonded to a wizard, serving his purposes for the rest of her life. Her one hope lies in entering the Betrothal Trials—and choosing a wizard from the Convocation candidates that she can manipulate. Whichever one of her suitors impregnates her will claim her as familiar and wife, and she can use her wiles to rule her wizard master, and the House she marries into.

But Gabriel throws a wrench into Nic’s careful scheming, by seducing and fascinating her. When she finds she’s pregnant by the rogue wizard she can never hope to control, Nic does the unthinkable: she runs.

OPINIONS:

At its core, Dark Wizard delivers a powerful message about slavery, self-worth, and how our world view and possibilies for self are shaped through the lens of our upbringing and societal expectations. Kennedy’s world-building focuses on a magic system and a social structure that has developed around that system. In this world, magic is the purview of wizards – they alone can wield magic and they do so under the contracts of their particular house and the laws of the Convocation. But magic is also held by familiars, and this is where the conflict arises and the world-building gets interesting. Familiars can hold as much magic as a Wizard, but they can’t use it – their magic must be channeled for use by a wizard – creating an unbalanced power dynamic in which a familiar is magically bound in servitude to a wizard, their entire lives relegated to providing a fountain of magic for their wizard to pull from, having no agency to change their fate or shape a purpose of their own.

At first, I was taken aback and (honestly) a bit disgusted by the brutal concept of the Betrothal Trials. When a familiar is ready to be bonded to a wizard, they are paired each month with a new candidate to determine the couple’s “productivity” (so-to-speak) – they bed each other to find out if they can get pregnant, thereby ensuring a magical bloodline. If the pair gets pregnant that month, they are bonded, and the familiar enters a life of servitude to the wizard. If not, they are repaired, and the process continues until pregnancy occurs. Like I said, brutal. But once I got deeper into the book, I understood the Betrothal Trials to be part of the larger, complex world-building that really is an allegory for slavery and a construction necessary for delivering important messages about slavery and self-worth. I should point out that these pairings are not based on gender – the wizard-familiar bond can happen between any combination of genders, and I really love that Kennedy took gender out of this discussion all together.

The Romance plot of this book is interwoven with what I believe will be the ongoing series arc – dismantling the caste system enforced by the Convocation. Gabriel summarily rejects the ideals and strictures set up around the power dynamic betwen familiars and wizards, because his upbringing was not shaped by the Convocation. He doesn’t base his self-worth, or that of others, on magical potential. He wants to bond and marry Nic out of love and trust. Unfortunately, Nic’s upbringing was vastly different, and her entire life and world view has been shaped by the Convocation. She struggles with a relationship based in true love and trust, the very concepts to her impossible given the power dynamic and expectations of the wizard-fimilar bond. Can they ever be sure that they’ve truly won each other’s hearts, or are they merely compelled to each other by their stations? The contrast between Gabriel and Nic’s world views – the potential for new, versus the confines of the old – and the ideals that have been ingrained in them since birth form the basis of a fascinating relationship that has so much potential for both evolution and growth.

Another clever aspect of Gabriel and Nic’s relationship that stems from their upbringings revolves around Gabriel’s use of magic. Because he is new to the world of magic and wasn’t formally trained by the Convocation, he often forgets he’s an incredibly powerful Wizard, reaching for his sword instead of using magic. Nic was the top of her class at the academy, and even though she cannot use magic herself and is supposed to be “less than” a wizard, she has all the training and knowledge Gabriel needs to understand and use his skills, adding depth and nuance to this unbalanced power dynamic central to the book’s plot and themes.

For the Romance readers out there, this series does follow the same couple, and there are open questions at the end of the first book. There is significant room for an interesting evolution in both the relationship between Gabriel and Nic as well as their relationship to the Convocation, which makes the lack of a tidy HEA understadable and necessary. I’m looking forward to reading on in the series and seeing how this all unfolds!

Stephanie Garber has been one of the most popular YA authors of recent years since she exploded onto the scene with her Caraval series. Once Upon A Broken Heart follows up on that trilogy, but at the same time stands on its own. It is the first in a new series, but features some characters that will be familiar to readers of the earlier books, while the plot itself goes in a completely new direction. The cover is also absolutely stunning (which, to be fair, is part of the reason I was so excited to dive back into the world).

Many thanks to Kate at Hodder for sending me an eARC via NetGalley, all opinions are my own as usual.

RELEASE DATE: 30/09/2021

STAR RATING: 3.5/5 ✶

SUMMARY: For as long as she can remember, Evangeline Fox has believed in happily ever after. Until she learns that the love of her life is about to marry another, and her dreams are shattered.

Desperate to stop the wedding, and heal her wounded heart, Evangeline strikes a deal with the charismatic, but wicked, Prince of Hearts. In exchange for his help, he asks for three kisses, to be given at the time and place of his choosing.

But after Evangeline’s first promised kiss, she learns that bargaining with an immortal is a dangerous game – and that the Prince of Hearts wants far more from her than she pledged. He has plans for Evangeline, plans that will either end in the greatest happily ever after, or the most exquisite tragedy… (from Hodder)

OPINIONS: I should probably preface this by saying that I’m not exactly the target audience for this – I’m more of a person who tends to get sucked in by books that are a bit more off the beaten path and a tad less commercially oriented. That said, Once Upon A Broken Heart does hit upon a lot of the popular trends at the moment and it makes a lot of sense that this, and Garber’s other books are as popular as they are. You have the aspirational heroines, who aren’t as well-defined as to not let readers self-insert, you have dark and broody love interests with a villainous streak and you have twists and turns, romance and betrayal.

But while it is a fun and entertaining read, it never properly absorbed me. Part of it may be down to formatting issues that the eARC had (the story is interspersed with newspaper articles, and those ended up very messy, with scattered text), which will be fixed in final copies, though I don’t think that it is only that. I guess it may also be that I am just not as taken in by either of the men in Evangeline’s life – they’re just not all that swoon-worthy to me, tbh, one is bland and doesn’t really have a discernible personality, and the other is a manipulator with a track-record of being a bad person? And Evangeline herself is kind of a damsel in distress type character throughout the story, constantly relying on everyone else to sort things out for her and going ‘woe is me’. Somehow I think I may be slightly saltier about this book than I thought before I started writing this review… It’s not like it’s a bad book, but I think ultimately, it’s not one for me. And that’s ok. It’s a book aimed at a different type of reader and I really should learn not to always get sucked in by pretty covers when I kind of know that I won’t love the story from the start.

Add Once Upon A Broken Heart to your Goodreads here, and order a copy via Bookshop here (affiliate link).

There are so many things I liked about Absynthe by Brendan Bellecourt (a.k.a. Bradley Beaulieu writing under a pseudonym for his first foray into Science Fiction) that when I sat down to write this, I struggled to organize my thoughts into a coherent review. I had this overwhelming urge to gush and simply list all the disparate pieces of this book that resonated with me. But upon further reflection (and after tempering my initial impulse), I realized that these various elements all contribute to a singular purpose that can be summarized quite succinctly: to present the reader with a uniquely expansive and unexpectedly harsh world that makes the book’s simple message about love and the essence of humanity that much more profound. I received an eARC of this book from NetGalley. All opinions are my own.

RELEASE DATE: 07/12/2021

STAR RATING: 4/5 ✶

SUMMARY:

Liam Mulcahey, a reclusive, shell-shocked veteran, remembers little of the Great War. Ten years later, when he is caught in a brutal attack on a Chicago speakeasy, Liam is saved by Grace, an alluring heiress who’s able to cast illusions. Though the attack appears to have been committed by the hated Uprising, Grace believes it was orchestrated by Leland De Pere–Liam’s former commander and the current President of the United States.

Meeting Grace unearths long-buried memories. Liam’s former squad, the Devil’s Henchmen, was given a serum to allow telepathic communication, transforming them into a unified killing machine. With Grace’s help, Liam begins to regain his abilities, but when De Pere learns of it, he orders his militia to eliminate Liam at any cost.

But Liam’s abilities are expanding quickly. When Liam turns the tables and digs deeper into De Pere’s plans, he discovers a terrible secret. The same experiment that granted Liam’s abilities was bent toward darker purposes. Liam must navigate both his enemies and supposed allies to stop the President’s nefarious plans before they’re unleashed on the world. And Grace is hiding secrets of her own, secrets that could prove every bit as dangerous as the President’s.

OPINIONS:

More often than not, when I find myself captivated by a speculative fiction novel, intriguing world-building plays an especially significant role. I can point to several novels that have caught my interest due to their unique and imaginative world-building, and to this day these books stand out in my memory for their ability to transport me to a world so unlike anything I might have expected. The War of the Flowers by Tad Williams and An Alchemy of Masques and Mirrors by Curtis Craddock immediately come to mind; Absynthe now falls high on this list.

Imagine if WWI had taken place on American soil, the final, definitive battle on the shores of Lake Michigan in a suburb of Milwaukee. And then imagine that WWI warfare was augmented with mechanikal exoskeletons called Hoppers and performance-enhancing biotech. Absynthe provides readers with a well-crafted and vivid “decopunk” aesthetic, inventing a world where tommy guns and flights of absynthe in jazz-filled speakeasies exist alongside automata with human intelligence, zeppelins, and bullet trains that connect Chicago with the new capital of Nova Solis. The world-building is rich and encompassing from pinstripe suits and flapper dresses to the Saint Lawrence Pact of nations allied against the US. It transports you to a world with roots in our reality, but wholly reimagined, providng ample setting for the themes of the mysterious and winding plot.

(Aside: As a Milwaukee native, this book resonated with me in a very special way. If I said this book’s setting didn’t have anything to do with my interest, it would be a bold-faced lie! I never realized how satisfying it would be to read a genre novel set in the city in which I grew up and still utterly adore. The local references to places like Lake Geneva, the Kinnickinnic River, Whitefish Bay, and Dinkel’s were like a warm hug of familiarity that I didn’t know I needed.)

But it is also a harsh world in which veterans are used and discarded, where soldiers suffer from post-traumatic stress, their mortal wounds often healed with mechanikal appendages and devices, citizens are injected with mysterious serums, and factions within the US undermine the trust of the government and each other. Bellencourt presents the evils of war and humanizes them through the struggles of his characters; Liam’s constant flashbacks, Clay’s inability to accept a life bound to mechaniks, and the revelation of Alistair’s true nature all contribute to a moral commentary on the true cost of war in the humanity that is lost in its aftermath.

The plot is a fast-paced mystery in which the main character Liam struggles to piece together the truth surrounding the tensions between, and intentions of, the government he fought for and the Uprising that is helping restore the vestiges of his shattered memory. The serums, their application, their evolution, and their interplay create an evocative SciFi plot that will have you theorizing and reading well into the night! As the truth about the serums is slowly revealed, and the pieces of the puzzle start to come together, Liam begins to question his actions and those of his leaders, the nature of his most important relationships, and ultimately what is needed to defeat the rising evil that threatens them all. His relationships are powerful in their diversity – he takes comfort from caring for his Nana, he’s devoted to his best friend Morgan, and he develops romantic feelings for Colette. But at the core of each relationship is an unconditional love, something that defines them as completely human and ultimately provides their deliverance. I found Liam’s realization and the subsequent ending heartfelt, infused with a message I think we all need right now.

Creative and intricate world-building and strong themes delivered through a griping and fast-paced plot are sure to capture any reader of Beaulieu’s debut Science Fiction novel. If I’ve captured your interest as much as this book captured mine, you can find Absynthe on Goodreads here, and pre-order it via Amazon here.

Addictive stories are always a goodie in my book – and The Offset is certainly that. It has an extremely hooky concept, and asks some really interesting moral questions.

Many thanks to the lovely Caroline at Angry Robot for sending an ARC – all opinions are my own as usual.

RELEASE DATE: 14/09/2021

STAR RATING: 3/5 ✶

SUMMARY: In a dying world, the Offset ceremony has been introduced to counteract and discourage procreation. It is a rule that is simultaneously accepted, celebrated and abhorred. But in this world, survival demands sacrifice so for every birth, there must be a death.

Professor Jac Boltanski is leading Project Salix, a ground-breaking new mission to save the world by replanting radioactive Greenland with genetically-modified willow trees. But things aren’t working out and there are discrepancies in the data. Has someone intervened to sabotage her life’s work? In the meantime, her daughter Miri, an anti-natalist, has run away from home. Days before their Offset ceremony where one of her mothers must be sentenced to death, she is brought back against her will following a run-in with the law. Which parent will Miri pick to die: the one she loves, or the one she hates who is working to save the world? (from Angry Robot)

OPINIONS: So this has an incredibly compelling hook – on your eighteenth birthday, you have to choose one of your parents to die to offset your carbon dioxide output as the levels have risen to an unsustainable niveau. And Miri is about to turn eighteen. Her choice is more difficult than most – she has two mothers, and while she is quite clear on what her heart tells her to do, one of her mothers is a scientist working to save all of humanity – and in a crucial position to do so. Unfortunately, this is also the mother Miri’s never gotten along with. So, yeah. It’s an interesting story – though one led more by teen angst than I had expected, to be honest.

However, the concept was what I liked best about this book. I felt like especially the ending was ultimately very unsatisfying in terms of answering my questions, and much of the plot hinged on the characters not communicating or communicating very badly, and that is something that I tend to find very frustrating. There are some major moments where the story could have gone in a very different direction if the characters would have just TALKED TO EACH OTHER, and where it felt to me at least, it would have been natural to communicate better.

So while I was sucked into the world of The Offset, I also left it feeling very frustrated. This has left me feeling very ambivalent about it as a whole – it does bring up interesting questions, especially in terms of how humanity will persevere when our natural resources become finite, but also it feels like it didn’t really live up to the potential it had by letting its characters remain rather stereotypical archetypes and not moving out of the expected path. I don’t think I was ever truly surprised by the book, and I wish I was. Really ended up being a proper three star read for me.

If you’re intrigued, you can add The Offset to your Goodreads here, and order a copy from Bookshop here (affiliate link).

I love Shakespeare – in fact, the very first theatre production I staged as a director was one of the bard’s. So modern reworkings of his work have always had a special place in my heart. And ones focused on overlooked female characters? Yes please. I was thrilled when I heard of Learwife and jumped at the opportunity to read and review this wonderful novel in the vein of Madeline Miller’s Circe or Jennifer Saint’s Ariadne , though situated a bit more on the literary end of the spectrum. It doesn’t hurt that the cover’s absolutely gorgeous, either.

Many thanks to Lucy Zhou and Canongate for the ARC, all opinions are my own.

RELEASE DATE: 04/11/2021

STAR RATING: 4/5 ✶

SUMMARY: ’I am the queen of two crowns, banished fifteen years, the famed and gilded woman, bad-luck baleful girl, mother of three small animals, now gone. I am fifty-five years old. I am Lear’s wife. I am here.’

Word has come. Care-bent King Lear is dead, driven mad and betrayed. His three daughters too, broken in battle. But someone has survived: Lear’s queen. Exiled to a nunnery years ago, written out of history, her name forgotten. Now she can tell her story.

Though her grief and rage may threaten to crack the earth open, she knows she must seek answers. Why was she sent away in shame and disgrace? What has happened to Kent, her oldest friend and ally? And what will become of her now, in this place of women? To find peace she must reckon with her past and make a terrible choice – one upon which her destiny, and that of the entire abbey, rests.

Giving unforgettable voice to a woman whose absence has been a tantalising mystery, Learwife is a breathtaking novel of loss, renewal and how history bleeds into the present. (from Canongate)

OPINIONS: Learwife is beautifully written. I was immediately immersed in the prose, which is always a good sign for a book. The story starts where King Lear’s story traditionally ends: the tragic death of Lear’s family. But his queen isn’t mentioned in the play, and so this is her story, picking up the pieces after the death of her estranged husband and children. It is told non-linearly, jumping between memories and the present day, though it never feels like the thread of the story gets lost in the telling.

I loved that the memories gave us more insight into Lear’s daughters – who, for the most part – only exist as flat archetypes in their own stories. These snapshots gave us a view of who they were as people, as children, as girls growing up. And ultimately, this showed that the story of Lear isn’t the story of a man and his tragedy, but the story of a family – and a family made up of mostly women. As Queen Lear unravels her life and picks up the fragments of her future, she paints a harrowing picture of her family that shows more than the original play ever did.

Learwife isn’t a fast-moving, plot heavy story. It is a meditation, a haunting piece of writing. Everytime I think literary novels might not be for me, something like this comes along and makes me fall in love with the genre all over again – I wouldn’t be surprised if this one will be nominated for awards as well as receive a lot of critical acclaim. It really is a win in my book.

Add Learwife to your Goodreads here, and order a copy via Bookshop here (affiliate link).

Natasha Ngan’s Girls of Paper and Fire is really the OG sapphic YA fantasy. I feel like when it came out in 2018 it was one of the first books to lean into what is now an established sub-genre, especially considering the lead time needed in traditional publishing. I thoroughly enjoyed it, and its sequel, Girls of Storm and Shadow, when they first came out, and so I was super excited to read the last book in the trilogy. I do have to admit, when I first started Girls of Fate and Fury, I struggled to follow along – so I squeezed in a cheeky reread and read the whole trilogy over the past week. And I think I loved them even more this time around!

Massive thanks to Kate Keehan and Hodder for sending me an eARC of this via NetGalley, all opinions are my own.

RELEASE DATE: 23/11/2021

STAR RATING: 5/5 ✶

SUMMARY: The final pages of Girls of Storm and Shadow brought a jaw-dropping conclusion that had the fates of Lei and Wren hanging in uncertainty. But one thing was certain – the Hidden Palace was the last place that Lei would ever consider home. The trauma and tragedy she suffered behind those opulent walls would plague her forever. She could not be trapped there with the sadistic king again, especially without Wren. The last Lei saw of the girl she loved, Wren was fighting an army of soldiers in a furious battle to the death. With the two girls torn apart and each in terrorizing peril, will they find each other again or have their destinies diverged forever? (from Hodder)

OPINIONS: I loved Girls of Fate and Fury. In fact, I loved re-reading the whole trilogy, but this conclusion to the series was the best book out of all of them. It took all of the themes and things I enjoyed, and went into them in more depth and detail. This still is the wonderful sapphic YA fantasy centred around Lei and Wren that readers have loved since the beginning, but this really dives into the themes of abuse and trauma. Not only are Lei and Wren dealing with their pasts and present, but many of the side characters actively show and experience the consequences of what happens to them, and their treatment at the hands of the king.

Natasha Ngan is a master at writing with compassion. The way she writes about trauma, abuse and disability never feels like it’s condescending or lecturing, but accepting. As someone with mental health issues, I really empathized with the wide range of responses the former Paper Girls had in the wake of Lei’s return – none of them considered lesser because they struggled. Another character became paralyzed, and after the first shock of everyone around them, the acceptance and love that emanated from the characters was wonderful. Not many authors manage to strike this balance and it is clear that this series is a true labour of love for Ngan.

And damn, the story. It’s fast-paced – faster than the previous two books – and extremely addictive. I really liked that this switched between Lei and Wren’s PoV for the first time, as they are apart for the first time in the trilogy. It really allowed both their stories to shine, and Ngan to explore the struggles they faced. And while, obviously they are the OTP and fated to be together, reading about them striving to reunite and longing for the other is so damn delicious. Combine that with revolution, overthrowing an evil king and friendships in all their iterations, and you have a fantastic conclusion to a great trilogy.

Add Girls of Fate and Fury to your Goodreads here, and pre-order a copy via Bookshop here (affiliate link).